Une Clope - A Short Film (NSFW - Moderate Adult Language.) - TV/Movies (2) - Nigeria
Deals with the lives of the writer Iskva and artist Bogutovski among the contemporary the voice of his dream and reaches a legendary city where he meets the beautiful Biche Seniel. Based on the novel by Andrey Golovko. ph Fyodor Panasenko (Tikhon), Ada Sheremetieva (Maria), Dmitri WORLD FILMOGRAPHY. He welcomed all present and said that we are proud of all our graduates, the Then traditionally advisor rector Dmitry Golovko checked the presence of the who began his singing activities in the ensemble "Dream" twenty years ago, met . The authour is dead so I have to meet the Naija publishers. Dayum, I'm making it difficult for myself. Oh well dream BIG or don't dream at all. Hahahaha. Re: Une It was a pretty good short and we spent a lot of time on the pre-prod. It took 8 . The score for Red Cliff was composed by Dmitri Golovko,right? I haven't seen.
You should watch it. I can only play youtube well. You know how our network be here na. John woo is undoubtedly right up there with the best but I'm not a freak for action flicks, so he doesn't really influence my work that much.Great theme songs by Dmitri Golovko - SIGNS short film
But he is an amazing director nonetheless, and if you say the movie is really good, then I'll take your word for it and be sure to find the movie.
I always find myself being impressed by this village boy! Really enjoyed watching the film. I love the music it set the mood right and that's what did it for me Dialogues were loaded with innuendos that kept my mind working big time. Good job 1 Like ijebabe: Good job Thanks a lot IjeBabe Might as well use this opportunity to get some of you to see mine Yeah I saw it before when you posted the thread a while back.
It's funny and to answer the question I hope you enjoy it too. Good to hear you liked the little film. What I think is this Now the thrill of being online even if it's in a short clip is enough for some You might get a cast you like but as they are doing it for next to nothing of course transport and feeding is always included as a bare minimum you have to depend on their availability.
If a good choice gets a paying gig on a day you are shooting you have to go with the 2nd or 3rd. A lot of first few shorts are made as a learning experience. I promise to get better!
The Director of this film and I had just finished working on a different short and on the first day of that shoot I had bought this camera to shoot a few BTS Behind The Scenes shots. When the guys saw what came out of my little camera we decided to do something to see how far we could push it under low-light. The lighting in this film is just street lights; it was late at night and on 3 of the coldest days we had Sorry it's only on Vimeo so will have to load fully before playing in some places as per slow internet - BTS - https: Hahahaha the height of my French is donne moi la bon bon.
People sometimes have to move the memorial site. She called a knowledgeable elder, who lassoed the fire man, b. But a memorial site is not always moved this way: It became difficult for my grandmother N. Not far from the lake we have a memorial site. Our stones, a campfire hole, and a river are there.
We chose this site to shorten the route for our grandmother.
Inside, the commemorative group lights a fire on a spade, and the ceremony is held the same way as on the tundra. Until the s, a clan was a preferentially endogamous group of non-kin and kin families united by the same territory, the same ritual cycle personal winter festivals, autumn pominkiand the same story about the origin of its ancestors.
The hunting collective was likewise clan-based Sergeev Staroe Chaplino used to be surrounded by several small settlements that were abandoned in the ss. Three of them—Uqighyaraq, Teflleq, and Ungiyeramket—were inhabited by the most numerous clan, the Laakaghmiit. According to the elders, people from the Laakaghmiit clan were the last ones to settle on the territory of Staroe Chaplino, having previously been reindeer herders.
Their memorial sites could thus be far from their current place of residence, and going to one of them could take a whole day. Nowadays, clan affiliation has no social significance. Some adults even find it hard to say which clan they belong to. After their forced relocation to Novoe Chaplino, the former inhabitants of the abandoned settlements set up their new memorial sites in the direction of their native villages.
Some memorial sites are associated with a particular family and its related families, but not with an entire clan. For example, because of a personal quarrel, several families of one clan will not gather together and will hold their commemorative ceremonies at different times and in separate places.
With one Chaplino family, the ceremony commemorates the deceased inhabitants of a small settlement, Siqlluk, that was on the island of Yttygran and has been closed since That is the only case of a ceremony designed to commemorate the inhabitants of a whole village. It is worth noting that Siqlluk used to be inhabited mainly by members of one clan, the Sighunpaget.
Over the river there is a memorial site for all Siqlluk villagers. We commemorate the Siqlluk villagers in July and have our own commemorative day in August, sometimes in September. The rule here is to invite somebody unrelated. Somebody from the side. We always take somebody.
For example our uncle A. We invite her and that is enough. She is not from our clan. If you have no memorial site of your own but want to feed your ancestors, you may ask for permission to attend a ceremony with others. In Novoe Chaplino, a Yupik woman b. After the meal, the members of the commemorative group exchange the food they have brought.
Sometimes they share food with non-kin they meet on the way back. The pominki is considered to be open to almost anyone. Nobody told me about any prohibition against attending. The only condition is that the invitee should bring some food.
There is some resentment of strangers who are looking only for a free drink, but they are not driven away. Nonetheless, most people are unaware of how such ceremonies are conducted in other families. Few will attend a ceremony held by non-kin without an invitation. Moreover, the Yupik will inform only potential invitees about a forthcoming ceremony.
Sequence of actions within the ceremony Food offerings are set aside in advance for a commemorative ceremony, being often rare and festive in nature but always new and not yet tasted. Special attention is paid to choosing food that the deceased will appreciate. As mentioned above, some families try to procure dry reindeer meat. Although in the past the Yupik did not feed their ancestors the meat of marine mammals Krupnik People bring mangtak whale skin with blubbernuvquraq dried whale meatand boiled walrus meat.
Pieces of cigarettes and a few drops of vodka or tea are thrown into the fire: It seems that you feed him compote, tea, sugar, and sweets. Let him have vodka and cigarettes! Sometimes, ritual food is put on the lid of some box or even on paper. In the past, the Yupik used special tubs made of wood or walrus ivory. The host tosses the food into the fire, pronouncing words of welcome.
These words are usually spoken in Russian, but some elders told me that they talk to their ancestors only in the Yupik language. The words of welcome are quite similar among different families: Some informants feed all of the dead villagers of the abandoned settlements, calling them Qiwaaghmiit villagers of QiiwaqUngaazighmiit villagers of Staroe Chaplinoetc.
To avoid leaving anybody hungry, the host separately calls out all of the unknown relatives: Being afraid to make a mistake, the Yupik may call for help from someone who knew the deceased: Staroe Chaplino, Photo: Some even distrusted feeding without fire.
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After the commemorative meal, people exchange the food. This minor ritual is called minaq. The aim is deliverance from diseases. The host will brush all members of the commemorative group with a burnt piece of wood or a bunch of grass: Then everybody takes a small stone or a blade of grass, sometimes from the bunch of grass used for the purification ritual.
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Relying on material he had collected in Staroe Chaplino and Sireniki inVoblov The Yupik take a small stone from the grave after a funeral. A widespread practice is the accidental loss of a symbolic object stone, blade of grass, wristlet made of reindeer sinew that is obtained during a funeral or commemorative ceremony.
When we started cutting up the bowhead, the weather was nice. And then suddenly it started raining. She loved it very much. On the way back we were surprised. The snowstorm was over. A lot of people told me about their dreams in relation to the commemorative ceremony. In dreams, the ancestors give thanks for the offerings and the attention paid to them: My mom told me a dream she had after the pominki.
She saw an old grey-haired lady who was sitting near the yaranga. The old lady told her: We ate so well! It was so tasty. And a man from Magadan has arrived.
We were walking with T. We went over the river. The mist lifted, and I saw mom. I told her in Yupik: I think maybe they really receive our offerings. For some reason I had this dream.
One question, one answer. You give them a little bit, but for them it is a lot. For example, one Yupik woman saw her deceased friend in a dream. The friend complained about a cold.
The next day the woman went to Provideniya, bought a new shirt, and ripped it into pieces over the grave. Destruction of things at a funeral or while feeding is a continuing practice.
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Micro-rituals of the pominki The commemorative ceremony consists of several micro-rituals that may at other times be performed separately as independent minor rites or as components of other ceremonies. But even if the non-sequitur dialogue overlapped as always, the lyrics of Harry Nilsson shined through to similarly oddball, if sweetly poignant effect.
After losing most of his legs in the marathon bombing, Jeff Bauman excellent played by Jake Gyllenhaal sinks into a morass of anger and infantilism that makes recovery seems impossible despite the efforts of a more-than-understanding girlfriend and an overbearing mom. Thankfully, composer Michael Brook only has to subtly push to let the full emotional weight of the film sink in. Through his poignant, transfixing approach, we can hear both the resilience of tender guitar and shell-shock of dark electronics.
Marshall takes a dynamic symphonic approach here, his strings giving sympathy to a rebel with a cause. With harmonica and more jazz inflection, Marshall draws a line from the harmonica great outdoors to the big city workplace, giving a charming, upbeat tenderness to the score.
But as opposed to letting bedridden exhaustion consume her body and soul, she decided to document her struggle to get back her life, while finding kindred spirits in this acclaimed film. Yet McCreary somehow makes it remotely musical with the cello to cut through the white noise.
Yet he manages to give his propulsive energy its own identity, especially with electronics that get across an overpopulated near future that gets trimmed a bit here. CLICK on the album covers to make your hardcopy or download purchase, and find the soundtracks at these.