A raisin in the sun relationship between truth and travis

Notes on A Raisin in the Sun Themes

A discussion of the A Raisin in the Sun themes running throughout A Raisin in the 1: Although Ruth and Travis seem to have an intimate mother-son relationship, familial African bond with Asagai, but whether she wants to become his true. Get everything you need to know about Travis Younger in A Raisin in the Sun. Analysis, related quotes, timeline. Travis is the apple of everyone's eye! His father wants the best for him and spoils him, even when it isn't prudent to do so. Ruth, on the other.

Walter Lee likes to blame his so-called failure in life on both the color of his skin and his unsupportive family. He believes that his wife and mother do not give him any credit or support, and that they are holding him back. Ruth knows that the only thing holding him back is himself - not his family. Beneatha and Walter Lee fight over the check with pure sibling rivalry. Bennie knows that the money belongs to Mama and thinks she should decide where the money goes, while Walter Lee obsesses over his selfish idea of a liquor store.

The reality of the situation is that the money represents family - their father - and belongs only to Mama. Mama recalls her late husband's words and integrity. He would talk about dreams and living them for and through children.

Why is it important to Walter that Travis looks up to him in A Raisin in the Sun? | cypenv.info

Family was the most important thing to him, and she hoped it would be for her children, as well. Bennie and Mama discuss Ruth's physical condition and allude to a possible pregnancy. Mama knows that she has never been wrong before about such behavior and realizes that her family may be expanding. The family mentioned in this section has a double meaning.

Why is it important to Walter that Travis looks up to him in A Raisin in the Sun?

Asagai represents the African family as a whole. As a Nigerian, he is different; yet, as a Negro, he is the same. Asagai and The Youngers all come from the same African family roots. Ruth reveals her pregnancy and possible option for abortion. Mama is appalled that her son would allow his wife to terminate a life. She lectures him that her family is about love and giving children life - not taking life away. While the Younger family appears to possibly be increasing, it also seems to be falling apart.

Why does she mention this event to the Youngers? Johnson say that the Youngers are proud? Does she mean it as a compliment? Are they, in fact, proud? How does pride help, or hinder, them in their progress through life? Why does Mama say that Booker T. Washington is a fool? Do you agree with her? Can you explain what Beneatha means when she says that "there are two things we, as a people, have got to overcome, one is the Ku Klux Klan—and the other is Mrs.

Why are they so obviously unrealistic, even destructive? What does Walter mean when he refers to his sister as a "New Negro" ? And why does she call him and Ruth "old-fashioned Negroes"? How does Lindner use language to make his proposal to the Youngers sound almost like a reasonable one? Is it true that "a man, right or wrong, has the right to want to have the neighborhood he lives in a certain kind of way" ?

Is a "right" actually a right when it infringes on the rights or ignores the humanity of others? What does she mean when she says "It expresses ME" ? Why is Asagai able to identify himself so intensely with the future of his country, however it may go? Why is Beneatha, at least temporarily, unable to do so? Do the final events of the play prove him wrong? What does it mean, to Walter, to be a "Man"? Lorraine Hansberry prefaces her play with a poem by Langston Hughes.

How does the play illustrate the theme of the poem? In what way is the concept of the "dream" central to the play? Which characters specifically discuss their dreams? Do dreams ever become destructive, a substitute for action?

Or is it absolutely essential to keep a dream alive? In the first scene, Travis experiences "anger" and "frustration" Is it implied here that such feelings will inevitably be his lot in life, as an African American man? If so, does this implication change over the course of the play? In the fifties, it was extremely ambitious for a young black woman to set out to become a doctor. What does it say about Beneatha that she is determined to pursue this career?

Is it natural that Walter should be resentful? Is it possible to find anything sensible or realistic in his point of view? Except for Asagai, none of the characters in the play has been to Africa. What do Africa and Africanness signify to each character?

We just plain working folks" 42? Do you believe that she is correct, or is her attitude defeatist? Does Ruth, in her heart of hearts, believe her?

Beneatha declares that she is searching for her "identity. Does she find it, at the end of the play? What does Walter mean when he says money is "life" 74? Considering what his life has been, is he justified in saying this?

A Raisin in the Sun-Meet the Youngers: Travis Younger

Is it simply lack of money that has deprived Walter of so many important things—his sense of manhood, of pride, his love of family? That she has failed him in some way 84? For budget reasons, the character of Mrs. Johnson was cut in the original production of the play. Do you feel that the scene is essential to the play? If not, why not? What does the scene tell us about the world in which the Youngers live?

In his introduction, Robert Nemiroff says that some audience members have perceived Mama as "conservative," an "upholder of the social order. Can you come up with a good definition? Is God a real presence to any of the characters besides Mama?

A Raisin in the Sun Teacher’s Guide

Many of the problems the Youngers must confront are specific to the African American family; others are problems that every family, black or white, must deal with. What in the play do you see as specifically African American, and what is universal? Through most of the play, Walter is shown in a state of arrested development, still very much like a teenager. Do you feel, as Mama comes to, that because for many years she refused to cede the position of head of the family to him, she is to blame for the deficiencies in his character?

This belief goes against one that, because of Booker T. Do you side with Mama on this issue, or with Washington? What are your reasons? Is this purely a racial matter, or is it a problem which all races must solve? Asagai sees "what the New World hath finally wrought" in Beneatha—but Beneatha, with a darker vision, sees it in Walter. In what way are they both right? How has American society, with its strengths and weaknesses, shaped both Beneatha and Walter?

Or at least as promising hope, or greater strength for the Youngers as a family? The continuing popularity of A Raisin in the Sun would seem to imply that the play is as relevant to contemporary audiences as it was when it first appeared.